Adrian Van Young at Electric Literature has compiled a reading primer for the works of Flannery O’Connor. Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
If you’ve finished winding your way through Elise Liu’s recommended New Yorker articles – which, as of this week, are free to be read online – you can start working your way through Longform’s roundup of their 25 favorite unlocked pieces. (Or you can go even bigger, thanks to The Awl.)
For most people, Mario Puzo’s The Godfather is the beginning and end of mafia books, the sole notable entry in a sparse and little-known genre. That’s why it’s helpful that Roberto Dainotto, in The Guardian, published this list, which includes The Godfather, Eric Hobsbawm’s Primitive Rebels, and Alexander Stille’s Excellent Cadavers, among other picks.
In every country except France, the copyright for The Little Prince expired at the end of last year, which explains why Turkish publishers chose the first two weeks of January to publish a huge number of new translations of the book. At the LRB blog, Millions contributor Kaya Genc writes about the flood of new editions, remarking on the significance of a passage about a Turkish astronomer.
At the Poetry Foundation’s website, Ruth Graham tackles a strangely ubiquitous question: how does a couple go about choosing a wedding poem? (For context, it helps to keep the following quote in mind: “the aesthetics of [a personal] wedding, at least for couples of a certain age and posture, are practically set in stone: indie pop music, mason jars, white Christmas lights, wildflowers.”)