Humans have been covering paintings, windows, and mirrors after the passing of loved ones for generations. Why do we feel the need to close off our connection to the outside world when we are grieving? Colin Dickey writes about the social, literary, and religious connotations of grief and memory at Hazlitt. At The Millions, Lidia Yuknavitch writes about channeling her grief into art.
The New York Times best-selling author Malcolm Gladwell recognizes that printed books can be beautiful, covetable objects that enhance the experience of reading. He hired Brian Rea, a frequent Times Magazine illustrator, and Paul Sahre, a designer who also frequently contributes to the magazine, to collaborate on the visuals for a new box set, Malcolm Gladwell: Collected.
ICYMI Colin Kaepernick was named GQ‘s 2017 Citizen of the Year a few weeks ago. In light of this honor two of his closest friends “have compiled a list of ‘Freedom Dream’ resources spanning close to two centuries—including books, essays, films, documentaries, songs, and museums—that can help readers, viewers, and listeners to understand race as the central political, cultural, economic, social, and geographic organizing principle of our nation, past and present. For it is only when we acknowledge the centrality of race in dictating the outcomes of life and death in the United States can we begin to work toward meaningful forms of racial justice.” Find the books, music and movies that helped inspire Kaepernick (and that will enlighten you too) here.
In an interview about her new book, The Day I Shot Cupid: Hello, My Name Is Jennifer Love Hewitt and I’m a Love-aholic, Jennifer Love had some rather startling advice for jilted young ladies: “After a breakup, a friend of mine Swarovski-crystalled my precious lady. It shined like a disco ball so I have a whole chapter in there on how women should vagazzle their vajayjays.”
Looking to be a Content Generator for a Major Internet Website? Look no further than this piece from McSweeney’s: “We pay $15 per piece of content, whether it be a well-cited, thoroughly researched 5,000-word essay or ten captions under fair-use photos, so, y’know, more bang for your buck with the photos. Also no one reads essays, so win-win.”
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
Symmetry’s addictive. Beethoven sought it in the order of chords, Einstein in the logic of theory. Countless writers, too, have sought its imprint in the perfect mot juste. In Aeon Magazine, Philip Ball pleads fervently against the pursuit of beauty in logic, and logic in beauty. “There’s a reason why our galleries are not, on the whole, filled with paintings of perfect spheres… the search for an ideal, perfect Platonic form of the table amid spirals, hypercubes and pyramids has an air of desperation.”