Humans have been covering paintings, windows, and mirrors after the passing of loved ones for generations. Why do we feel the need to close off our connection to the outside world when we are grieving? Colin Dickey writes about the social, literary, and religious connotations of grief and memory at Hazlitt. At The Millions, Lidia Yuknavitch writes about channeling her grief into art.
Grief and Memory
The Art of Rejection
Cover to Cover
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
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Bright Star
Keats on film! See the trailer for Jane Campion‘s Bright Star.
Two Davids and The Bone Clocks
Recommended listening: David Naimon interviews David Mitchell about “time, maps, cats,” and The Bone Clocks (which we reviewed here) for Between the Covers.
The Southern Festival of Books
Last weekend The Southern Festival of Books took over Nashville. The latest installment of #LitBeat takes you to Ta-Nehisi Coates’s panel there, on the importance of studying–but not romanticizing–history.
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Appearing Elsewhere
Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”
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