Still working on your costume for Halloween this year? Check out these recommendations from Electric Literature for some hilarious costumes based on some really great short stories.
New in fiction this week: Benediction by Kent Haruf and Ten White Geese by past IMPAC winner Gerbrand Bakker. In non-fiction: Salt Sugar Fat: How the Food Giants Hooked Us, Michael Moss’s food industry exposé excerpted in the recent Times Magazine. From the other side of the food spectrum is Issue 6 of Lucky Peach. And it’s a big day for baseball fans: the 2013 Baseball Prospectus is here.
Lorin Stein has made the complete archive of The Paris Review interviews available for free online. The New York Times explains why this is such fantastic news: “The first issue of The Paris Review contained an interview with E.M. Forster. The new issue contains two, with Norman Rush…and the French controversialist Michel Houellebecq. In between there have been more than 300 others, from Ernest Hemingway (as indignant as a gored bull) to Jorge Louis Borges (funny and quizzical) and Hunter S. Thompson (surely on a variety of pharmaceuticals). Nearly all are worth a look-in.”
“[A]n audio odyssey through fiction, archival tape, interviews, and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting-edge writers of our time. Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more!” Did you know The Paris Review has a new podcast? See also: our interview with current TPR editor Lorin Stein.
At Bloom this week, check out the feature on novelist Jon Clinch, and the accompanying Q&A, where Clinch talks in-depth about his decision to self-publish his fourth novel after having his first two published by Random House. He says that his second novel, Kings of the Earth, “was set up for success: Oprah’s magazine put it at the top of their summer reading list, and it went on to be named one of the best novels of the year by theWashington Post. But the Oprah nod came six or eight weeks before publication date, and Random House either couldn’t or didn’t capitalize on it. By the time the book hit the shelves, it was already forgotten. I simply couldn’t bear the possibility that The Thief of Auschwitz might slip into the abyss.”
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature‘s “2015 Indie Press Preview.”