In light of this year’s Frankfurt Book Fair, which had Indonesia as the official guest of honor, check out Wayan Sunarta’s essay on the rise of Indonesian literature abroad. As he explains it, “Although Indonesian literature is in the ascendant at home, it has so far failed to establish itself internationally. The number of works translated from Indonesian is still very small.”
Time to dust off the old John Irving Recurring Themes Matrix because his new book In One Person is out today. Also out are Home by America’s last Nobel Laureate Toni Morrison and Bring Up the Bodies, Hilary Mantel’s hotly anticipated sequel to Booker- and Rooster-winning Wolf Hall. Also out is I Am a Pole, Stephen Colbert’s “children’s book” that was inspired by an epic visit from Maurice Sendak. Out in paperback is Ann Patchett’s State of Wonder.
Ed Champion interviews the FTC’s Richard Cleland in an effort to bring some clarity to the new FTC disclosure rules targeting “bloggers.” If this interview is any indication, the rules are imprecise and based on a false distinction, at best. For what it’s worth, I’ll happily disclose that we do get sent books for review from publishers, and the ways The Millions makes money are outlined on our (new and improved) Support page.
“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)