“Life is worth less than a line of Baudelaire’s poetry.” These two lyric essays by Chen Li over at Asymptote Journal are economical and well-worth the read. Though Chen Li is from Taiwan, he writes in Chinese; this syllabus of Chinese writing and the “New China” from Casey Walker at The Millions pairs quite nicely.
Authors are known to mine material from their personal relationships for their writing, but John Updike found inspiration from his interviews. After journalist William Ecenbarger wrote a profile of Updike in 1983, he found himself the subject of an Updike short story. Pair with: Our review of Updike’s Collected Stories.
According to some new research conducted by ebook retailer Kobo, the digital reading revolution (if it still exists) is being powered by prolific readers who are primarily female and older than forty-five. The study asserts that women make up almost seventy-five percent of “active” e-readers, defined as those who spend more than thirty minutes per day reading. What does all of this mean? Who knows, but keep reading.
Can’t get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week’s post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. “One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State.”
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.