In the latest from The Atlantic’s By Heart series, ex-Granta editor John Freeman discusses Louise Erdrich’s interpretation of Faulkner in Love Medicine. Pair with an essay on the pacing of Faulkner’s prose.
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
Ferris Jabr writes for The New Yorker on the "profound relationship between walking, thinking, and writing," and cites books such as Ulysses and Mrs. Dalloway as evidence this "curious link between mind and feet" is a serious literary force. After you've finished reading Jabr's piece, be sure to check out Michelle Huneven's essay "On Walking and Reading at the Same Time," and then perhaps go for a little stroll with a good book.
"In real life, we are often so bound by social convention, but at the same time we all have secret, inexplicable aspects of ourselves. The parts that nobody else sees. In fiction, we are not bound by social convention, so the things that mystify and unsettle are allowed to rise to the surface." Salon interviews Laura van den Berg about her new novel, Find Me, which we covered in our Great 2015 Book Preview.
Frank Stanford isn’t the most well-known American poet, but he is one of the most revered, at least according to his contemporaries. At The Rumpus, David Biespeil writes about a new collection of the poet’s work, remarking that “no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.”
“In the six years that I wrote the book, I moved around a huge amount. I was in five or six different states, and spent a lot of time on the road. I think if you’re out in this country so much, you just see a lot of weird stuff. Weird, ominous stuff.” Talking with Laura van den Berg.