In the latest from The Atlantic’s By Heart series, ex-Granta editor John Freeman discusses Louise Erdrich’s interpretation of Faulkner in Love Medicine. Pair with an essay on the pacing of Faulkner’s prose.
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
“Born Guan Moye, he chose his pen name—“Don’t Talk”—to honor his mother’s caution against talking too much and in sardonic recognition of his failure to heed her warning. Yet I have been struck by his quiet and unassuming presence at literary conferences in Beijing, where he offered kind encouragement in private meetings but evinced a shy persona in public.” On the contradictions of last year’s Nobel laureate, Mo Yan.
Coming in March: Yet another screen adaption of Charlotte Bronte‘s Jane Eyre, directed by Cary Fukunaga. This one stars Mia Wasikowska as Jane and Michael Fassbender as Mr. Rochester. The trailer is here.
Quartz has a roundup of the books Hillary Clinton borrowed from the State Department library during her time as Secretary of State, including a memoir, poetry, and a lot of non-fiction. Pair with our piece about what private libraries reveal about their readers.
“She didn’t even want to be anything. She just wanted to be able to sit in a room and not feel tortured by it, which is sort of the human condition in general. Eileen isn’t dreaming of leaving home and making it in the big city on Broadway. She just wants to go and eat a banana, you know?” Ottessa Moshfegh on her new novel, Eileen, for The Rumpus.