Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
The coming-of-age novel is a lot older than most of its protagonists. Gabriel Roth and sometime Millions contributor Kristopher Jansma will discuss the history of the genre at 7 p.m. on Monday, October 28 at the Center for Fiction in New York City. You can read Jansma's past Millions essays on watching The Killing and searching for lost J.D. Salinger stories.
How do you feel about claims that men avoid reading women? Before you answer, consider this piece, which argues that sexism in the lit world is more complicated than it may appear. (For more, go check out our own piece on sexism on the internet, or else take a look at this Harvard Divinity School study on how sexism shapes responses to women’s writing.)
“Look. There are are only two truly great science fiction movies. The first is Stanley Kubrick's 2001...The second is Blade Runner...You may disagree with this statement. You would be wrong. Let's move on.” Damien Walter at Guardian accuses Hollywood of screwing up science fiction.
To the debate over whether or not male writers have trouble creating realistic female characters, we can add the opinion of Ester Bloom, who argues at The Hairpin that most male writers mold their female characters according to four archetypes: the virgin, the whore, the mother and the bitch.
"Of all the work produced from this region no one observer gets the place or the people completely right," Rob Amberg writes about his 40 years spent photographing Appalachia. His photo essay "Up the Creek" is part of The Oxford American's "Portraying Appalachia" Symposium.