“As you can see here, it’s all about desire and longing.” Yes it is, Ragnar, yes it is. Icelandic performance artist Ragnar Kjartansson is fascinated by what he calls “the oppressiveness of western culture claustrophobia.” His newest work, Bonjour, has shifted focus to poke fun at the ways in which the rest of the world elevates French sensibilities.
Dabbling in Cliché
Tom Hanks, Fiction Writer
Tom Hanks’s debut collection of short stories is due out in October. “The theme of the collection will be typewriters,” reports The Guardian, “with each tale involving one of these more and more scarce machines.”
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While a Fox Was Brown
This interactive guide to the demise (or, rather, the rise) of the passive voice by Vijith Assar at McSweeney’s is every bit as fascinating as it is troubling. This notable piece from The Millions by Fiona Maazel should act as a nice grammatical complement.
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Pulp and Not
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature — posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki’s argument that literature is a genre.
Rise of the Neuronovel
“As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology.” Marco Roth questions the rise of the “neuronovel” at n+1.
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The Future of the University Library
The landscape of university library use is changing, along with the attendant ways in which academics and college students alike do research.
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These narrators are conspicuously powerless
Over at Prospect, Leo Benedictus takes a look into the subversive “hindered narrators” in The Curious Incident of the Dog in the Night Time, Room, and Pigeon English.