“As you can see here, it’s all about desire and longing.” Yes it is, Ragnar, yes it is. Icelandic performance artist Ragnar Kjartansson is fascinated by what he calls “the oppressiveness of western culture claustrophobia.” His newest work, Bonjour, has shifted focus to poke fun at the ways in which the rest of the world elevates French sensibilities.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.
This summer, Emily Books will launch a new imprint with Coffee House Press, featuring books “by women and gay men and gender outsiders—or people who had transgressive, interesting, weird personalities.” Also check out this Millions essay on what we call what women write.
“I am lately returned from a pilgrimage, bearing bloodied knees and a holy relic; my destination was a place of love and sacrifice that’s lived long in my heart. No Lourdes for me, though: I went to the Reichenbach Falls.” Sarah Perry makes a pilgrimage to the death place of Sherlock Holmes and writes about it for the Guardian.
Electric Literature—first established as a cross-platform digital publisher, but best known for its popular “Recommended Reading” tumblog—has just relaunched itself as a literary advocate built around a strong website and social channels. C0-founder Andy Hunter tells the Washington Post, “Posting a cool photo on social media gets a much greater response than text alone, even in our audience of book lovers. While at first that might seem at odds with literary content, we’ve always felt that changes in the way we communicate create opportunities to reach more people.”