Eileen Myles is the weird poet that the mainstream is finally starting to accept. Here’s an essay from Stephanie LaCava at The Millions on how social media helped to push Myles’s historically ignored avant-garde world into the mainstream.
I’ve got another post up about Nadeem Aslam’s Maps for Lost Lovers at the LBC Blog. I’ve been going back and forth with Sam (of Golden Rule Jones), so check out his posts, too.Calvin Trillin talks turducken and other things Cajun in the most recent issue of National Geographic. The piece is typical Trillin, funny and featuring mouth-watering descriptions of various regional delicacies. (Much like the articles collected in a favorite book of mine, Trillin’s Feeding a Yen)Jim Crace discusses his Guardian column, The Digested Read, “The idea of rewriting a book in the style of the author in just 500 or so words is a gift to any satirist, and it remains the only outlet in the print media where publishers’ hype always gets treated with the irreverence it deserves.” A collection of the columns is out in EnglandThe CS Monitor takes a look at the self-publishing craze: “IUniverse, which prints several thousand books annually, reports submissions are up 17 percent in the first six months of this year.”A couple of new McSweeney’s offerings that you may or may not have seen already. Noisy Outlaws, Unfriendly Blobs, and Some Other Things… is anthology for young adults, edited by Lemony Snicket and with stories by Nick Hornby, John Scieszka and Neil Gaiman, among others. Meanwhile Issue #17 of their Quarterly Concern is also out. According to Amazon: “Issue 17 is not an ordinary issue of McSweeney’s. It is, however, an ordinary bundle of mail, stacked and rubber-banded, containing the usual items: a recent issue of Yeti Researcher, a sausage-basket catalog, a flyer for slashed prices on multi-user garments, a couple letters… the usual. Also: the debut of a DVD quarterly, featuring never-before-seen work by Spike Jonze and David O. Russell. Also: stories.”
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
One Goodreads vigilante has created a master list of authors notorious for responding immaturely or meanly to negative reviews of their work. Elsewhere, iDreamBooks, a new Rotten Tomatoes-type service, was launched. The site aggregates critics’ book reviews and shows you what to read next.
“If the sentences are meticulously made, I’ll read anything, whether it’s as destabilizing as a Gary Lutz short story or as melancholy as a Chris Ware comic. The only books I give up on are texts where the writer’s attention is concentrated so heavily on narrative questions that his or her use of language becomes careless.” Anthony Doerr, whose All The Light We Cannot See won the 2015 Pulitzer Prize for Fiction, discusses genre, Calvin and Hobbes, and the 2,080 books he still wants to read as part of the New York Times Book Review‘s By the Book series.
In 2002, David Friedman thought of a question he wanted to ask Oliver Sacks, on the topic of 3D glasses and “pseudoscopic” vision. A week after he sent the letter, he received a typewritten reply, complete with diagrams. At The Morning News, a copy of the letter he received, along with background.