Granta has published translated writing from Nobel Prize winner Svetlana Alexievich. She writes: “In 1986 I had decided not to write about war again. For a long time after I finished my book War’s Unwomanly Face I couldn’t bear to see a child with a bleeding nose. I suppose each of us has a measure of protection against pain; mine had been exhausted. Two events changed my mind.” Find out more about Alexievich here.
Jeff Vandermeer writes for the Los Angeles Times about autobiographical influence in fantasy and sci-fi and argues that “there’s little or no difference in process or results compared to “normal” fiction, except that sometimes you end up with a dragon in your story and sometimes you don’t.” Pair with Alex Trivilino‘s account of “binge-reading” Vandermeer’s Southern Reach trilogy.
Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
Can’t get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week’s post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. “One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State.”
It’s the weekend, and you know what that means. Time to explore your creative passions. That’s right! Find what you want to do and “dive in a full 10 percent and spend the other 90 torturing yourself because you know damn well that it’s far too late to make a drastic career change, and that you’re stuck on this mind-numbing path for the rest of your life.”
Jenny Diski, a prolific author who’d kept up a serialized diary of living with cancer since 2014, died this morning at the age of 68. Her partner, Ian Patterson, broke the news on Twitter, after which outlets including The Guardian confirmed it. The author had recently published her final book, a memoir.