“This year, AmazonCrossing plans to publish ‘77 titles from 15 countries and 12 languages’ in the United States, which will almost certainly dwarf the output of Dalkey and its ilk. And, with this new $10 million commitment, the number of works in translation published by AmazonCrossing should continue to soar. Which means that AmazonCrossing will almost certainly be the largest publisher of translated literature in the United States for at least the next five years.” At The New Republic, find out how Amazon became the largest publisher of translated works. Our own Michael Bourne breaks the news that Amazon has purchased the English language.
Karen Russell is everywhere these days. She’s sharing her favorite books about Florida with The New York Times, she’s being interviewed about her writing process on our site, and she’s publishing short fiction for Electric Literature’s Recommended Reading blog. Oh, and she has a new book out, too, as you might have heard.
“In contemporary capitalist societies, libraries stand out as slightly odd. While people are generally accustomed to going into a store and having to pay if they plan on leaving with something – in a library this relationship is quite different.” From AirBnB to Zipcar, startups premised on the so-called “sharing economy” tout themselves as radical and disruptive. Except that another institution – the public library – has been offering communal property for hundreds of years.
Not that the circumstances are always ideal, as our own Jacob Lambert attests in his “Open Letter to the Person Who Wiped Boogers on My Library Book.”
This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”
Jessica Francis Kane’s mother worked for Playboy back in the 1960s, a time “when it was an intellectual magazine as well as a pinup, when people really did subscribe to it for the articles.” Over at The Morning News, Kane shares a fascinating interview with her mother, and they talk about what it was “like to be a woman … in such a sexy workplace at such a weird time.”