“Perhaps I will just go underground and live a quiet life of desperation. I’ve heard mumblings about a place called ‘Social Media Manager.’ It seems like a nice place where all people my age go for a while. Just until things start to make sense again.” Nobody knows the throes of existential angst quite like a twenty-something. Here’s a plea for help from one such twenty-something over at McSweeney’s.
Michael Chabon’s Telegraph Avenue (as seen in our Book Preview; and excerpted here) is due to hit shelves early September, and everybody seems pretty excited about it. How excited? Well, the book will come with an “enhanced e-book” replete with multimedia features, and the publishers have also decided to create a pop-up version of Brokeland Records, one of the novel’s main settings.
Stephen King’s next book is a thriller set in a Midwestern town suffering from unemployment. Before this sounds a little too close to home, the synopsis reveals it’s about a retired cop trying to stop a mass murderer. Mr. Mercedes will be out June 3rd. Pair with: Our own Lydia Kiesling’s essay on her love of King novels.
Alison Mudditt, director of The University of California Press, has announced the suspension of the New California Poetry series due to state budget cuts and the challenges posed to “our industry and markets which (not unlike the newspaper industry!) require us to rethink and retool to remain a vibrant and relevant voice in the digital age.”
VIDA, an organization that promotes gender parity in the literary arts, has tallied up the 2011 bylines and book reviews from some of the bigger magazines . Granta was the only publication to achieve parity, but they did have an issue devoted entirely to feminism, so that may be skewing the numbers. The Atlantic, The London Review of Books, and Harper’s are not making the cut. While institutionalized misogyny in any profession presents a problem, gender quotas are probably not the answer.