Patti Smith’s M Train was released this Tuesday. Geoffrey O’Brien reviews her memoir at The New York Review of Books: “Perhaps M Train represents the attempt by someone whose career is as public as can be imagined to stake out a zone of inviolable privacy, albeit through the public act of writing a book meant for publication.” Need more music? Check out our Torch Ballads and Jukebox Music column.
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.
Was Miami made for the mystery novel? The most iconic mysteries and detective novels are anchored firmly in their sense of place, and no place is more hospitable to commodifiable crime and violence than sunny South Beach. If it’s more Florida weirdness you’re after, look no further than our own Nick Moran.
“White Americans do not realize how black they are,” writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like–sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts…
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.
East of the West author Miroslav Penkov is sitting pretty these days. The Bulgarian fiction writer recently nabbed the BBC International Short Story Award for his collection’s titular story, “East of the West.” With a purse of £15,000, this is the world’s biggest prize for short stories, though typically it considers work by British authors only. However this year, due to the 2012 Olympics, the field was expanded to include international writers. All five judges unanimously picked Penkov’s work over the nine other submissions. You can read an excerpt online courtesy of Google Books, and you can get a little more acquainted with Penkov’s themes on Picador’s Tumblr.