Everyone is talking about Nobel Prize winning Belarusian journalist Svetlana Alexievich. Allow Jonathon Sturgeon at Flavorwire to explain why he believes Alexievich’s victory is a step in the right direction for the Prize.
“The main problem with Homeland is not even the writers taking Adderall or whatever they did in the second season that eliminated suspense and brought instead an unhinged intensity of movement that barely allowed space and time enough for the cast members to occupy their roles. The main problem with the show is a kind of elephant in the room.” Lorrie Moore explains her gripe about the celebrated series.
In the Times Book Review, Year in Reading alum and Edinburgh author Alexander Chee reviews Everything I Never Told You by Celeste Ng, a Millions contributor. He describes the book as, among other things, a departure from your average literary thriller: “If we know this story, we haven’t seen it yet in American fiction, not until now.”
New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
“One hears, in the news, that one new fad after another is sweeping the academy. World literature, digital humanities, book history, cognitive science. Perhaps everyone will just watch TV (there are twenty-seven panels on The Wire, and at least a paper, I recall, on Rizzoli and Isles, a TNT show)…The elephant in the room, or the one that has left the room a while ago (but whose stinking presence everyone still inhales deeply or holds their nose after), is Theory.” N + 1 reviews MLA 2013.
Is readability a myth? In an article for The Atlantic Noah Berlatsky argues that there are no “easy” or “difficult” books, or rather that these are relative terms – a book that gives one person fits may be light reading for someone else. His argument pairs interestingly with our own Emily Colette Wilkinson‘s “Difficult Books” series.