This interview with Joanna Walsh, creator of the #Readwomen Twitter account and fiction editor at 3:AM Magazine, is just plain fun. In it, Walsh touches on nearly everything from sex writing to Sigmund Freud to the Marx Brothers.
A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
“Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos.” On Frank Zappa, music theory wizard and occasional public intellectual.
“The reality of being a librarian is that it’s hardly ever about sitting down and it has absolutely nothing to do with peace and quiet.” Lit Hub launched Tales of the Library, a new bimonthly column, by Kristen Arnett. From our archives: an essay about libraries and homelessness.
Following the example of Flaubert, whose Dictionary of Received Ideas compiled the clichés of its day, Teju Cole set out on Monday to record his own clichés on Twitter. At Page-Turner, he sums up his experiment in a blog post. (You may recall that this is not the first time Cole has won acclaim for his Twitter account.)
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.