Recommended Reading: This essay by Melissa Febos which won the 2015 Center for Women Writers Prize in Creative Nonfiction. We’ve previously mentioned Febos’s work in a couple of essays about New York writers.
Daniel Woodrell was so busy dodging bill collectors that he almost missed a telegram from an agent interested in his first novel, Under the Bright Lights. He discusses his writing career, the film adaptation of Winter’s Bone, and how he’s used the same coffee mug since 1974 for The Daily Beast’s “How I Write” series.
Does modern China need its own literary sub-genre? On trying to understand China’s “ultra-unreal” reality: “If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word ‘chaohuan’ (ultra-unreal) is something of a play on the word ‘mohuan’ (magic), as in ‘mohuan xianshizhuyi’ (magic realism)— ‘mohuan’ is ‘magical unreal,’ and ‘chaohuan’ is ‘surpassing the unreal.’”
“Do something. In the face of hatred, apathy will be interpreted as acceptance by the perpetrators, the public and — worse — the victims. Community members must take action; if we don’t, hate persists.” The always amazing Southern Poverty Law Center has put together “Ten Ways to Fight Hate: A Community Response Guide.”