We’ve covered the Atlantic series By Heart a number of times before. In the latest edition, Angela Flournoy makes a case for writing about what you don’t know. Pair with Toni Jordan’s Millions essay on “the ideas behind fiction.”
Writerly Advice
The Literary Criticism of T.S. Eliot
“[M]ore people have thought Hamlet a work of art because they found it interesting, than have found it interesting because it is a work of art.” Who other than T.S. Eliot could get away with questioning the artistic quality of Hamlet?
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Before “Once Upon A Time”
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.
Talking Truth to Power
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.
Memory, Sorrow, Thorn, Etc.
Back in 1988, Tad Williams published the first book of the Memory, Sorrow and Thorn series, which inspired George R.R. Martin to start writing A Song of Ice and Fire. Now, more than twenty years after publishing the last installment (and just as the new season of Game of Thrones begins), Williams announced that he’s writing a sequel, The Last King of Osten Ard. You could also read our own Janet Potter’s review of the first Game of Thrones book.
The Jamesians
“A dead, white, quasi-European male was able to survive the culture wars by becoming wised up, worldly, homosexual, feminist – Henry James, our contemporary.” But who was he, really?