Recommended Reading: Anna Aslanyan on the challenges of translation and the nonliteral titles of Ferrante’s Neapolitan novels. Pair with Janet Potter’s Millions guide to finding the perfect title for that book in your drawer.
“Why Facebook? Why this format?… The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself…” Zadie Smith considers “Generation Why” and The Social Network at the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.
Olugbemisola Rhuday-Perkovich put together a reading list to help children understand the global refugee experience, and Kaveh Akbar compiled a list of poems from the seven countries — Iran, Libya, Yemen, Sudan, Somalia, Iraq, and Syria — impacted by President Donald Trump’s executive order. Meanwhile, Kieran Hebden (a.k.a. Four Tet) has been curating a Spotify playlist of music from those countries as well.
“With thirteen other diners, the two professors of English first prepared and then made their way through eight courses, including beef broth, haddock, steak, mutton, chicken, and chocolate profiteroles….The dinner was a recreation of one eaten 132 years earlier, in one of England’s grandest country houses. Among the guests at this first dinner was George Scharf, founding director of the National Portrait Gallery in London, a man not especially famous in his own day and virtually unknown in ours.” Love Among the Archives brings us into the world of George Scharf, a bachelor affectionately deemed “The Most Boring Man in the World.”
Some of the most revered literary novels that have appeared in recent years will be adapted for television. Jonathon Sturgeon writes for Flavorwire, “What do we call this new relationship between prestige and streaming TV and the literary novel? The two now shape each other in peculiar, formal ways—like lovers who share an apartment, they’ve started speaking and looking alike.” Pair with this Millions piece on literary magazines in film and TV.