This interactive guide to the demise (or, rather, the rise) of the passive voice by Vijith Assar at McSweeney’s is every bit as fascinating as it is troubling. This notable piece from The Millions by Fiona Maazel should act as a nice grammatical complement.
Few people know that Roger Ebert was an ardent Anglophile, so much so that in 1986 he wrote an obscure little book, The Perfect London Walk, in which the lifelong film critic laid out his preferred walking path through the city. Over at Slate, Katie Engelhart reviews the book, which apparently still functions as a guide to a decent stroll.
Earlier this month, I wrote about Louis Menand’s recent New Yorker piece about The Life of Saul Bellow, a new biography of the Nobel laureate by Zachary Leader. Now, in the LRB, Andrew O’Hagan reads the book. Sample quote: “Bellow’s community was his subject and his subject was his voice.”
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.