This interactive guide to the demise (or, rather, the rise) of the passive voice by Vijith Assar at McSweeney’s is every bit as fascinating as it is troubling. This notable piece from The Millions by Fiona Maazel should act as a nice grammatical complement.
“But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief.” The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don’t Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
J. M. Coetzee has published The Good Story: Exchanges on Truth, Fiction and Psychotherapy with psychologist Arabella Kurtz, which details the five-year correspondence between the two. The letters offer “a rare opportunity to understand the mind of a writer who almost never speaks at length in his own voice.” For more of the Nobel laureate, read our review of The Childhood of Jesus.
“It’s rough out there for artists and writers right now, I know. There are days when you just want to throw in the towel, say fuck it, fake your own death, give insurance fraud a go, and live out of a Winnebago somewhere in remote Ontario. That’s a good plan—that’s a really good plan—but remember, you’ve got options.” The Paris Review considers the life of artist Reuben Kadish, who bought a disused dairy farm, made it a viable business in a decade’s time, and changed his medium from painting to sculpture in the process.
For those of us who refuse to trade in the typewriter, however, there’s always our popular piece on how to write a novel.
Leave the marshmallows at home, and bring your bow and arrow to summer camp instead. In Largo, Florida, the Country Day School created a camp based on The Hunger Games, where campers play intense games of capture the flag. Don’t worry, killing your fellow campers isn’t allowed.