“Baldwin understood that if you are going to say something important about the world it is best if you try to say it beautifully. I don’t mean like picking flowers or writing on fancy stationery. I mean how you say it actually makes it a more meaningful piece of writing. I am going to push that further. It makes it a truer piece of writing. What you are saying is: ‘Can I make somebody feel this in a deeper way?’ That was what I was obsessed with.” Over at The Guardian, Ta-Nehisi Coates talks about the success of Between the World and Me and being inspired by his father. Pair with our own Sonya Chung’s essay on David Brooks and Ta-Nehisi Coates.
Booksellers across the country have loaded up dollies with towers of boxes and carted them to the front of the store. Amazon has broken into its super-secret, double-locked, chain-link fence. Dan Brown’s The Lost Symbol is here. Understandably, other publishers have ceded this Tuesday almost entirely to the Dan Brown hype machine, but those looking for something (very) different can today find Joyce Carol Oates doing the zombie thing (not really) and the latest from Tao Lin.
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
“The gross-out factor of the last section stuck with me, but not in a way I enjoyed.” Writing workshop critiques as applied to your sex life.