Why are women the primary consumers of true crime literature while an overwhelming majority of the genre showcases violence towards women? Over at Hazlitt, Casey Johnston has a few ideas about this seemingly irreconcilable paradox. Here is a complementary piece by Ujala Sehgal for The Millions on the female True Detectives of literature.
At Bloom this week, check out the multi–part feature on Spencer Reece‘s poetry project at an orphanage in Honduras, which includes a documentary film for which singer-songwriter Dar Williams is composing/performing the soundtrack. Watch an exclusive two-part video interview with Reece and Williams about their friendship and collaboration.
“For Groff, it is not that there’s a clearly delineated line between the universal and the particular, but rather that they are nested like Russian dolls: every story of the particular is also an iteration of the universal.” This review of Lauren Groff’s Fates and Furies from 3:AM Magazine is great. Our interview with Groff from a few weeks ago makes a nice complementary read.
Last week, Kyle Boelte reviewed On Immunity by Eula Biss, delving into its lengthy history of inoculation and public health. At the Harper’s blog, Jeffery Gleaves talks with Biss as part of their Six Questions feature, asking her about Susan Sontag, public versus private danger and the relationship between capitalism and anti-vaccination sentiment.
Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.