Why are women the primary consumers of true crime literature while an overwhelming majority of the genre showcases violence towards women? Over at Hazlitt, Casey Johnston has a few ideas about this seemingly irreconcilable paradox. Here is a complementary piece by Ujala Sehgal for The Millions on the female True Detectives of literature.
True Crime, True Empathy
Goodbye Gone Girl
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
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You Don’t Shoot the Beard!
The Observer profiles Baumbach père: Jonathan, that is, whose new novel, Dreams of Molly, is out in May from Dzanc books.
Art Dealer$
Fresh on the heels of Rachel Cohen’s Believer piece on “the unexpected double history of banking and the art world,” one of the country’s biggest art collectors is slammed with a $276 million insider trading accusation.
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New Michael Robbins Poetry
The latest issue of Poetry magazine features four of Michael Robbins’s first “post-Alien vs. Predator” poems: “Big Country,” “Be Myself,” “The Second Sex,” and “That’s Incredible!” Robbins was also a recent participant in our Year In Reading series.
Today’s Culture of Reading
In 2007, Buzz Poole wrote an article for us about Bob Stein's Institute for the Future of the Book, and now he's catching up with Stein about "his take on today's culture of reading."
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Tom Bissell Turns Pop
How writer Tom Bissell has pulled up some literary roots (think The Father of All Things) to begin staking out territory in pop culture (Extra Lives: Why Video Games Matter).
Consider Us Tucked In
"Get yourself cozy, and get ready to go on a fantastic new adventure." Idris Elba reading bedtime stories for #ProjectLiteracy? Yes please.