Why are women the primary consumers of true crime literature while an overwhelming majority of the genre showcases violence towards women? Over at Hazlitt, Casey Johnston has a few ideas about this seemingly irreconcilable paradox. Here is a complementary piece by Ujala Sehgal for The Millions on the female True Detectives of literature.
True Crime, True Empathy
John Carey on William Golding
In The New York Times, Dwight Garner reviews John Carey’s biography William Golding: The Man Who Wrote “Lord of the Flies”: “It may not be a surprise to learn that the British novelist … did not have a happy childhood. But the details will put a sweat on your forehead.”
Opinions… In Verse
From now until August 16th, the editors of the Los Angeles Times’s Opinion section will accept poetry submissions. Their favorites will be published in the August 25th edition of the paper.
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This is the way the film ends
Blasphemy Alert: They’re giving the film version of August: Osage County a “less downbeat” ending. Curse you, Harvey Weinstein! Is nothing sacred? Can a woman not lament the disintegration of her life, family, and mental stability while the final lines to T.S. Eliot’s “The Hollow Men” are read by her housekeeper? Has America gone soft?
Popular Library Borrowed E-Books
OverDrive released its lists of the most-downloaded e-books from libraries in December 2011. These lists look pretty different from the current New York Times e-book bestseller lists. Here’s why.
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Tuesday New Release Day: Gould; Foster; Netzer; Sohn; Rotert; Jacob; Canobbio; Wallace; Weil; Beckett
Out this week: Friendship by Emily Gould; God Is an Astronaut by Alyson Foster; How to Tell Toledo from the Night Sky by Lydia Netzer; The Actress by Amy Sohn; Last Night at the Blue Angel by Rebecca Rotert; The Sleepwalker’s Guide to Dancing by Mira Jacob; Three Light-Years by Andrea Canobbio; The Sacred River by Wendy Wallace; The Great Glass Sea by Josh Weil; and a previously unpublished short story by Samuel Beckett.
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