Why are women the primary consumers of true crime literature while an overwhelming majority of the genre showcases violence towards women? Over at Hazlitt, Casey Johnston has a few ideas about this seemingly irreconcilable paradox. Here is a complementary piece by Ujala Sehgal for The Millions on the female True Detectives of literature.
True Crime, True Empathy
Justin Cronin on Writing “The Passage”
The Passage author Justin Cronin answers questions for Salon’s Reading Club: “For many years … I had vivid nightmares of nuclear apocalypse.”
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Words on the street.
Ian Crouch on the place of real estate in the novel, and its tenedency to “reinforce our modern sense that the appearance of our houses, and the taste and class that they represent, are among the defining elements of modern selfhood.”
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A Writer’s Job
Recommended Reading: Zoë Heller and Francine Prose discuss a writer’s moral obligation and responsibility to art.
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Poetry Machine
Villanelle Bot, a Twitter bot that composes poems in villanelle form, is publishing the automated poetry on their blog. The bot uses Twitter posts from random people, then stitches together all lines that end in certain words to form a full poem. You could also check out our piece on the best of literary Twitter.
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The Common’s first year in print!
The Common will be celebrating its first year of publication later this month at NYU’s Carter Journalism institute. The celebrations will include a reading from Stephen O’Connor and a performance by the Dog House Band, aka that literary rock group consisting of Sven Birkerts, James Wood, and other writerly musicians.
Hurricane Reads
East Coasters can prepare for Hurricane Irene by reading Hart Crane‘s “O Carib Isle” (via W.W. Norton & Co.) or William Carlos Williams‘ “The Hurricane” (via Proustitute). The Book Bench has also compiled a list of “Six Shorts to Read During a Hurricane.”
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