Is Twitter an official literary genre? David Mitchell, Philip Pullman, Margaret Atwood, and others take on the 140-character interface as a storytelling platform. Pair with our piece on the best of literary Twitter.
N+1 takes the brave step of making all more of its content available online, at a snazzily updated website. You might start with Mark McGurl‘s knockout piece on Zombie novels, a fitting companion to our own Emily W.’s recent work on vampires. Remember, though: subscribing “is the right thing to do.”
“He represents a failure of empiricism — an unreliability arising not from the absence of rationality, but from the stubborn complexity of perception. This, I would argue, is precisely how the 2016 election went down.” In an article for The Los Angeles Review of Books, Aaron R. Hanlon argues that Cervantes’ classic provides the perfect framework for understanding contemporary America, concluding that “Don Quixote is such a player in US politics that he might as well run for office.” Our own C. Max Magee read Quixote not long after founding the site, deeming it “essential to all who wish to understand ‘the novel’ as a literary form.”