“Writers teach, not writing per se, but how to engage in writing as a process and a means of perception. The actual work of writing is seldom sublime. It’s a struggle that grows more difficult if we avoid it. Writing is often excruciatingly slow and repetitive. Time, in slipping and sliding, makes itself felt and immediate. Words are the way in, but nothing is guaranteed. What writers or readers can do with language, or understand inside it, depends on what they know—on refining their sensibilities, on writing, revising, waiting, reading, writing, as though living in language were life and death.” Year in Reading alumna Jayne Anne Phillips writes for the Literary Hub about the importance of writing programs. For more on the debate, check out Hannah Gersen’s Millions essay.
After some initial mystery leading up to publication, Michael Lewis's new book Flash Boys is here and its subject is high-speed trading (sometimes called "high-frequency trading) that uses supercomputers and complex trading algorithms to attempt to generate profits through brute force. Lewis has become the most popular writer on Wall Street, giving readers a look behind closed doors. The Times has an excerpt of Flash Boys, while Bloomberg has more detail.
This blog post from the NYT Magazine's culture editor Adam Sternbergh rounds up some some well known lit lovers' suggestions for some of those of you looking for some "red hot summer trash" to add to your reading list. Maud Newton and our own Garth Risk Hallberg both recommended Lonesome Dove, so that's going on my reading list for sure.
Year in Reading alum Laura van den Berg has a new book out this week, as does Amy Tan. Also out: Jeeves and the Wedding Bells by Sebastian Faulks; Bellman & Black by Diane Setterfield; and a memoir by YiR alum Rob Delaney. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.