The Man Behind the Mystery
Distraction-Free Writing Platforms
A new distraction-free writing platform has emerged. Can QuietWrite unseat WriteRoom as the best tool for internet-enabled authors?
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Prize Stories
For Electric Literature, Kelly Luce shares what she noticed while reading short story submissions for the O. Henry Prize. Pair with Paul Vidich’s Millions piece about the future of the short story.
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“It’s all in the dark, all feeling around”
Speaking to Parul Sehgal, recent Booker and National Book Award finalist Jhumpa Lahiri confesses that in order to write, she must begin from “a place where I feel—and need to feel—completely alone and anonymous.” The Lowland author elaborates that the act of writing is “such an intimate thing; I can’t do it in front of other people. It’s a rich dimension in one’s head – to access it, the noise has to be shut off. And there is a lot of noise in the world.”
The Price of Diversity
What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
How Fact-Checking Works
Ever wondered how the fact-checking process works? Well wonder no longer. The Columbia Journalism Review posted an excerpt from their recently published Art of Making Magazines collection, and it explains The New Yorker’s workflow as well as the perils of “Shoot-the-Fact-Checker Syndrome.”
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New Dyer Book
Word of a new book from Millions fave Geoff Dyer has just emerged. (Edit: new in the U.S.; it’s been published previously in the U.K.) The Missing of the Somme, due in August, is a “meditation on World War I.”
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