This essay from Garth Greenwell at The New Yorker about gay mystery novelist Michael Nava is as fascinating as it is informative. Then, let Daniel Friedman at The Millions spoil the genre for you with his take on the very few ways to tie up a mystery.
The Little Death
King’s Critics
“It just goes to show you: it’s not just luck you need to have a successful literary career. It’s luck, piled on luck, piled on luck again, and around the corner, you need another sprinkling of it” says Michelle Dean, after investigating Stephen King’s rise in response partly to Dwight Allen’s “Snob Notes” on the author. Colin Dickey and Sarah Langan have both previously weighed on on Allen’s essay and King’s particular strengths.
Karen Russell’s Note of Hope
Karen Russell spoke to Frances Yackel about love, motherhood, hope, and her new collection, Orange World and Other Stories.
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Publishing’s Gender Gap
At Guardian, Lionel Shriver (America’s best writer?) shares her frustrations in publishing as a female novelist: “A female novelist would never enjoy a Franzen-scale frenzy of adulation in America…”
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Hot off the Motherboard: New Issues of OLM, N1BR
Along with the dreaded switch to Daylight Wastings Time, the first of the month brings new issues of Open Letters Monthly and N1BR. Between the two of them, you can find, among other things, reviews of Where the Wild Things Are, J.M. Coetzee‘s Age of Iron, Bob Seger, and the Complete Bloggings of Caleb Crain.
The Thirsty North
Newsflash: people in cold states drink a lot more than people in warm states.
Welcome Bill
The Millions is adding a new staff writer today. Join us in welcoming Bill Morris. Bill most recently wrote a consideration of China Miéville for the site this week, his fifth piece for us thus far. Bill is the author of the novels Motor City and All Souls’ Day. His writing has appeared in Granta, The New York Times, L.A. Weekly, the (London) Independent, the Washington Post Magazine and the website Aolnews.com. He lives in New York City.
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“The Most Awesome Book Cover”
“Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul.” Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed “the most awesome book cover of the summer,” in particular.
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