“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
The Los Angeles Review of Books interviewed Xujun Eberlein, a “China-born and now Boston-based” short story writer, essayist and blogger about recent literary happenings in her native country. The first question they asked has to do with Finnegans Wake, which is selling surprisingly well in Chinese bookstores.
L.A.-based readers won’t want to miss this weekend’s Los Angeles Times Festival of Books, held this year on the USC campus. Millions staff writer Patrick Brown will be moderating a panel discussion about bookselling, “From the Front Register,” on Saturday at 12:30 pm. At 2:30 that same day, I’ll be on a panel facilitated by Lizzie Skurnick called “Fiction: The Long and Short of It.” My fellow panelists are Yiyun Li and occasional Millions contributor Victoria Patterson. Go here for details and to order panel tickets (just $1 each)!
Among the better tidbits from Gary Shteyngart’s diary of his book tour for Little Failure is the fact that he’s apparently had fellow Russian immigrants ask him to sign books for “a failed paralegal” and “a worse failure than even you.” If, after reading that, you’d like another dose of Shteyngart, you could do worse than his Year in Reading entry.