“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
Recommended Reading: This essay on Jorie Graham, Modernist poetry, and the resistance of closure from The Nation. In the essay, Ange Mlinko puts Graham in league with such writers as John Ashbery and Frederick Seidel as some of the few living American poets “to have advanced a worldly, Modernist model of the poem into the 21st century.”
In the latest issue of The New York Review of Books, Jean Strouse brings us inside John Singer Sargent’s inner circle. The exhibition, “Sargent: Portraits of Artists and Friends,” is on view at the New York Metropolitan Museum of Art until October 4th. You could also read Edra Ziesk’s piece on what makes a friend.
This month the Super Precious Gallery is displaying their “20th Century American Authors” exhibit, and it consists of thirteen pieces inspired by authors from the 1900s. Ten artists produced tributes to the likes of Kurt Vonnegut, Doris Lessing, Thomas Pynchon and—this being Tumblr—Charles Bukowski.