“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
The Boundaries of Literature
Ten Years in the Making
” I love the shape of words, I love the comet-tail histories of words. I love the roll and crunch of syllables in my mouth.” In Electric Literature, Laura van den Berg interviews R.O. Kwon about religious fanaticism, “unknowing,” and her upcoming debut novel, The Incendiaries. Pair with: Kwon’s 2017 Year in Reading.
What Is Grief?
“Is grief a condition of love? Does grief prevent us from making peace within ourselves and with each other?” For the Kenyon Review, Rosebud Ben-Oni writes on grief as waiting. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
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Brillante
Is Alejandro Zambra the new great Latin American writer? James Wood thinks he is. In the latest New Yorker, he describes how Zambra’s new story collection alerted him to the writer’s oeuvre, going on to analyze all three of the writer’s novels in English. You could also read our 2011 interview with Zambra.
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Unheralded Greats
Taylor Antrim takes a page out of Roxane Gay’s book and “goes in search of great 2011 fiction unjustly ignored by The New York Times.”
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Elaine Hsieh Chou’s Accidental Satirical Novel
Elaine Hsieh Chou discussed her debut novel, Disorientation, elaborating on how she used humor and satire to tackle painful subjects.
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Byliner Goes Fiction
Byliner, which has made its name with a long-form nonfiction portal and long-form nonfiction ebook originals, is kicking off its Byliner Fiction imprint with Amy Tan’s Rules for Virgins
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“Silent and spotless”
At The Nervous Breakdown, an excerpt of Still Writing, the new book by Year in Reading alum Dani Shapiro. The excerpt comes on the heels of one of the site’s trademark self-interviews, in which the author laments of herself as interviewer, “You don’t pull any punches, do you?” (Related: our own Hannah Gersen talked with Shapiro about her book.)
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