“Like walkie-talkies that require a button be pressed to speak and released to hear, does reading require that either the voice of the author or the voice of the reader’s consciousness be silenced at any given moment? Such an analogy suggests that reading is an act of hospitality toward another’s mind, in which we silence our voice in courtesy to the voice of another’s consciousness, a voice that alternates with our own in conversation.” John Biguenet on silent reading.
Martin Amis’ The Pregnant Widow is out today (Kakutani sez, “remarkably tedious” but The Guardian adds, “Amis might draw comfort from the long and distinguished list of Kakutani’s literary victims.”) Also out, Sebastian Junger’s War, the result of time spent embedded with a platoon of the 173rd Airborne brigade in Afghanistan.
When restauranteur Elaine Kaufman was alive, she gave writers a refuge at her favorite spot, Table 4. Even though the restaurant and Kaufman are long gone, her memory and devotion to writers live on with the Table 4 Writers Foundation. The foundation gives out $2,500 grants to writers at a gala at the New York Athletic Club on March 27. The 2013 winners include, “Bound” by Karen Yin, “Gotham Mexico” by Danny Thiemann, “Kim of Noho” by Kurt Pitzer, “Parkside” by Jennie Yabroff, and “Rent Control” by Matthew Perron. Additionally, several of Elaine’s regulars will be honored, including Mary Higgins Clark, Carol Higgins Clark, Stuart Woods, Chazz Palminteri, and Richard Dreyfuss.
Remember the Rudyard Kipling poem where he says the British government should be scalped? We don’t either. However, a forthcoming book of lost Kipling poems, 100 Poems: Old and New, shows his anti-establishment side. An excerpt from the aforementioned poem, “Laudatores Actoris Empti:” “Come, let us lightly scalp the brood / Of ‘educated middle classes’ / Who, much perplexed with ‘views’ and ‘goals’ / Now govern London – and our souls”