“On the level of narrative possibility, I was really drawn to the sense of aloneness that rose from so many of these images—the terrifying possibility of being the last person left on earth, or even the last person left in a neighborhood, a swamp, a freeway. That stark haunting irony of living in a world of excess that has eventually collapsed on itself, emptied out.” Guernica interviews Leslie Jamison and Ryan Spencer for their new collaboration, Such Mean Estate.
Go Jane Give organized the “#Read4Refugees” social media campaign, encouraging users to raise awareness and funds for refugee issues. Over the past month, numerous well-known authors have joined in, including Junot Díaz, Jodi Picoult, Sue Monk Kidd, and Sherman Alexie, among others.
In the early eighties, when the writer James Lasdun was working in publishing, he rejected a book by a writer who turned out to be a pen name for Doris Lessing. The fallout? He couldn’t bring himself to read her work until this year. (Related: our own Mark O’Connell’s interview with Lasdun about his latest book.)
This one goes out to all you procrastinators out there. A woman in Auckland, New Zealand has just returned a library book (Myths and Legends of Maoriland) a cool sixty-seven years late–she had “been meaning to return it” for decades. Hopefully she didn’t leave any boogers.
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”
Year in Reading alumna Parul Sehgal’s column for The New York Times debuted last week with her reflections on the great Czech writer Bohumil Hrabal. As she puts it, “He is a spider of a writer: subtle and sly, patient, with invisible designs. He never proclaims — he never needs to. He envelops.” Pair with John Yargo’s Millions essay on Hrabal’s fiction.