How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
Recommended Reading: On Patricia Highsmith, Carol, and being the queer daughter of a queer mother: “I am doomed to die an ugly death or at least to be separated from my partner, probably violently. So is my queer mother and my partner and my cousin and many of my friends. We are all doomed, it seems, because this is the only story American media tells about queer women.”
Kundiman, an organization dedicated to “the creation and cultivation of Asian American poetry,” is now accepting submissions for its annual Kundiman Poetry Prize. One winner will receive $1,000, book publication with Alice James Books, and a featured reading in New York City. The deadline is March 1, 2013.
In a piece for the Los Angeles Review of Books, Sarah Mesle reviews Mallory Ortberg‘s Texts from Jane Eyre, which “is not only a major work of bathroom humor reading, but also a significant contribution to feminist literary criticism. It is difficult to imagine another book that would both be a perfect stocking stuffer and an exemplary text for a seminar in literary studies.”
“I think you are abusing your power, and I find it hard to believe that you have thought it through thoroughly.” Norway’s largest newspaper, Aftenposten, has published a front-page letter to Mark Zuckerberg after Facebook censored an iconic image from the Vietnam war. The Pulitzer Prize-winning photograph of a naked nine-year-old Kim Phúc running away from a napalm attack was deleted from a post about seven images “that changed the history of warfare.”