“Every journal is a confessional. If it’s in the first person, it cannot help but be. Unless the author of it lies to himself—and that makes it even more of a confessional. For some reason, travel brings out confessions one would never make at home. I am trying to draw the rake of my journal over the landscape. Perhaps I will uncover something.” Lawrence Ferlinghetti’s new collection of travel journals, Writing Across the Landscape, is out now. Travel on back to The Millions for Kate McCahill’s essay on traveling with books.
“I don’t divide my friendships into continental categories. I don’t think: Today I’ll have lunch with my European friend, and tomorrow I will invite my Asian friend to the park. It would be silly of me to think of the authors I read in those terms. End of topic.” The (still relatively) new Literary Hub interviews Valeria Luiselli about the literary tradition, authors’s names, magical realism and her new novel, The Story of My Teeth.
Yea, yea, it’s Charles Dickens’ birthday. I’m sure you’ve heard, or at least been told by Google. But he’s only one artist born on this day. In addition, there’s James Yancey aka J Dilla, one of the most influential hip hop artists and producers of all time.
Twenty-five years ago this month, Mary Gaitskill published Bad Behavior, a story collection so accomplished that even Michiko Kakutani thought the book had “radar-perfect detail.” Now, to commemorate the anniversary, The Slant interviews Gaitskill, who discusses her debut and the effect of porn on our culture. (In case you didn’t know, a story in Bad Behavior inspired the movie Secretary.)
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
“The idea was that whatever I felt or did resonated in life, caused people pain or happiness. This gave me a feeling of huge responsibility even as a child – to the extent that sometimes I had to block my own feelings or wishes. When I started writing fiction, suddenly I was allowed to do what I wanted.” Talking with Etgar Keret.
Hey! Are you a fan of our Facebook page? If not, you’re missing out on some unique, international Millions content – like this shelf section Nick Moran spotted in a Kaohsiung bookstore, or this brand of “literary” whiskey discovered by Thom Beckwith in Ireland.