We’re glad to hear that this autobiographical essay from David Biespiel at The Rumpus is only the first in a sequence of autobiographical portraits to be published on Poetry Wire on his upbringing as a poet.
Swarm and Spark, a new column at The Millions, invites you to write with your questions about publishing, the literary life, or writing. The column is written by two anonymous figures: a NYC editor with years in the industry and an MFA professor at a long-established program. Ask anything that has plagued, confounded, pleased or troubled you about your life in and around literature and you may be answered, always with respect: your question will be treated as anonymous as well. Send your true confessions, complaints and queries to [email protected].
Fancy a stroll? Flaneur, a new Berlin-based magazine, profiles one street per issue. It explores the culture, literature, people, and landmarks that make each street unique. The first is Berlin’s Kantstrasse. Pair with: Hyperreal Cartography, a tumblr of “real maps of places that exist but don’t.”
Now online: PEN World Voices video of Keith Gessen interviewing Vladimir Sorokin, author of the just-released Ice Trilogy and Day of the Oprichnik. I was a little nonplussed by the Times‘ decision to begin its profile of Sorokin with a discussion of his hair, but really…it is quite something. Come for the mane, stay for the acerbic insights.
In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature — the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)