Villanelle Bot, a Twitter bot that composes poems in villanelle form, is publishing the automated poetry on their blog. The bot uses Twitter posts from random people, then stitches together all lines that end in certain words to form a full poem. You could also check out our piece on the best of literary Twitter.
“I usually let the thunderous conclusions of love scenes pass without comment, with the exception of one tussle so histrionic that to deny its participants a [JOINT CLIMAXES] seemed downright petty.” Our own Matt Seidel discusses his work as a freelancer for a captioning and transcription company at The Morning News.
Anya Ulinich, author of Petropolis, talks to World Literature Today: “What else can a person do when she gets home after a ten-hour work day – with a toothache that she can’t afford to fix . . . – but fall on the couch and watch whatever is in front of her face?” . . . Lydia Davis, whose Collected Stories is just out, talks to Sarah Manguso for The Believer: “At the origin of the work there has to be strong feeling, if it’s going to be any good. Of course, that strong feeling can be a delight in language.” . . . The Book Bench unearths a 1978 John Updike interview with a Croation periodical, which finds the Rabbit Angstrom author halfway through his tetralogy. . . . Edwin Frank of NYRB Classics talks to Omnivoracious, and selects his favorite books in the series (via). . . . And James Ellroy submits to interrogation at The Paris Review: “I was always thinking about how I would become a great novelist.”
In The New York Times, Dwight Garner reviews John Carey’s biography William Golding: The Man Who Wrote “Lord of the Flies”: “It may not be a surprise to learn that the British novelist … did not have a happy childhood. But the details will put a sweat on your forehead.”