“Of course, his word-pictures don’t define the art of poetry—nor are they meant to. In part they exemplify it; in part provide a warning that such an art eludes straightforward setting out in words.” On Horace’s and Archibald MacLeish’s Ars Poetica.
A new collection of non-fiction by Jonathan Franzen, Farther Away: Essays, is out today. Also out is Laurent Binet's HHhH, from which we recently published some redacted scenes. Other new releases this week include Rosecrans Baldwin's memoir Paris, I Love You but You're Bringing Me Down and Nobel laureate Herta Müller's The Hunger Angel.
"This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on." John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan's music journalism, read his piece on the origins of ska.
“I fought the urge to throw up in my hands as I asked myself, 'How the fuck did I get here?'” When you're a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel's review of Making Monte Carlo: A History of Speculation and Spectacle.
John McWhorter, linguist and author of What Language is (And What it Isn't and What it Could Be), takes a look at the history of spoken and written language in an effort to understand how text messaging, IMs, and other informal forms of written language impact literacy.
Attn Twitterers: Some folks have been following me @cmaxmagee, but starting today we'll be using @The_Millions for the occasional books- and Millions-related "tweet." If you are the twittering type, throw a "follow" our way (and spread the word). (Thanks to my brother Phil for securing and holding onto @The_Millions until I finally got around to using it.)