“Of course, his word-pictures don’t define the art of poetry—nor are they meant to. In part they exemplify it; in part provide a warning that such an art eludes straightforward setting out in words.” On Horace’s and Archibald MacLeish’s Ars Poetica.
"As much as I claimed that I read for my own edification, it was a lie. The books I was most drawn to were those that were loved by someone in my life. Reading them, I thought, would teach me all I needed to know about them—nice and safe, from a distance. Reading them with one hand, it was easy to have the other keep them at arm’s length." Romy Sugden writes for The Oyster Review about trying to connect with her estranged father by reading John le Carré's A Perfect Spy.
George Saunders shares his thoughts on writing his first full-length novel, the forthcoming Lincoln in the Bardo. As he puts it, “It’s like when you’re writing your first book, and you’re trying to figure out what kind of writer you are. This was like that.” Pair with our own Elizabeth Minkel’s piece on Saunders and the question of literary greatness.
New this week: The Tusk That Did the Damage by Tania James; B & Me: A True Story of Literary Arousal by J.C. Hallman; The Dream of My Return by Horacio Castellanos Moya; The Last Word by Hanif Kureishi; A Little Life by Hanya Yanagihara; and The Discreet Hero by Nobel laureate Mario Vargas Llosa. For more on these and other new titles, check out our Great 2015 Book Preview.