From McSweeney’s: These opening remarks made by John Hodgman at a literary reading shortly after September 11, 2001. This study on the literature of 9/11 from A-J Aronstein at The Millions is a sobering, related piece.
Ian Crouch writes for The New Yorker about a new version of The Sun Also Rises, which gives readers a peak into Hemingway‘s drafts and revisions. Crouch believes that by reading these drafts carefully, one can pick out a “minor manifesto” that “conceives of a book with greater intellectual and artistic ambitions than Hemingway ever produced.” In the words of Hemingway’s character Jake Barnes, “Isn”t it pretty to think so?” Pair with our own review of the latest edition of The Sun Also Rises.
Recommended Reading: Michael J. Avogino‘s “Total Utter Madness: A Story of Soccer” from the Tin House archives. If you’re going to watch soccer all day, might as well throw some good writing in there too, right? An example: “Life would go on, as would the sport of soccer and all that came with it: the brotherhood, the ethnocentricity, the sportsmanship, the nationalism, the love, the regionalism, the racism, class conflict, the sublime, the nonsensical, amongst white, black, brown, Protestant, Catholic, Muslim, Jew, everyone guilty and innocent.”
Lucky Alan, which came out in February, is Jonathan Lethem’s first new story collection in more than ten years. He talked with Matt Bell about it in an interview at Salon. “What’s great about short stories is the opportunity to play at reinvention; all those new departures, all those new landings to try to stick,” he says. You could also read our review of his novel Dissident Gardens.
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)