Granta asks their contributors what it means to be a migrant or a refugee in light of the crisis in Europe. Twenty-eight authors respond in visual media, personal essays, and poems. You could also read our migrations book list for more perspectives.
Vanity Fair remembers Christopher Hitchens, a favorite of ours who was always fun to root for, and who, as you’ve no doubt heard by now, died last night. Andrew Sullivan remembers an email exchange from happier times. Hitchens’ ebook from this year, The Enemy, is in our Hall of Fame, and we reviewed his memoir, Hitch-22, last year.
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
Does love “crack [your] sternum open” or is love like the “mystery of water and a star?” Is your soul “an empty carousel at sunset?” Are you an only child? I ask because these – along with several other questions – will help Farrar, Straus, and Giroux determine once and for all: “Which Poet Are You?”