We’ve covered The New York Times Bookends column before. This week, James Parker and Liesl Schillinger discuss why we should read books considered “obscene.” Our own Matt Seidel reveals the rejected questions for the Bookends column.
On Bookends
Why Words Matter
“The hijacking of public language, as is happening now, is a way to shift perception—to bend and control thought—and must be resisted.” Summer Brennan pens a powerful first entry for her twice-monthly column about language and power at The Literary Hub. Read also our own Lydia Kiesling, who tells us, “I have to believe that literature can be a weapon of a sort — it explodes comfort even while it delivers comfort; it reveals hypocrisy in a way that the mere presentation of facts often cannot.”
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Vintage Barthelmismo
Thomas Pynchon defined what he termed “vintage Barthelmismo” as “fictions thoughtfully concocted and comfortably beyond the reach of time.” This moving tribute to Donald Barthelme by Padgett Powell from the forthcoming anthology, A Manner of Being: Writers on Their Mentors, is right in line with Pynchon’s sentiment. Here’s another Barthelme mention from The Millions that you may be interested in.
Bard-yoncé
Beyoncé collaborated with Forrest Gander, a finalist for the Pulitzer Prize in 2012, to write a poem called “Bey the Light.” You can read that over here. (Bonus: This isn’t the first time Queen B has teamed up with a prominent writer.)
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Performing the Trick
Chloe N. Clark writes about magical reveals in fiction. As she explains it, “authors, like magicians, need to know when the best moment to pull back the curtain is.” Pair with this Millions essay on using light and a full palette of color to paint fiction.
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Fictional Travel
If you’re still looking for spring break plans, why not travel to a fictional place? In the weirdest tourism trend lately, travelers are visiting the real places made famous by fiction, including the Ghostbusters firehouse and the Overlook Hotel from The Shining.
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