“Pink Trance Notebooks is the mind working, is material rising from somewhere deep to be shaped and reshaped into blocks of dreamlike text. It is also surface: material gathered from within reach.” Sarah Gerard at Hazlitt in an interview with Wayne Koestenbaum, whose new book is out in October.
John Sunyer checks in with Franco Moretti at the Stanford Literary Lab. Moretti, a 63-year-old professor of English, is the author of Distant Reading – a book in which he lays out his long-held belief that “literary study doesn’t require scholars to actually read the books.” Rather, he believes in a “new approach to literature [that] depends on computers to crunch ‘big data,’ or stores of massive amounts of information, to produce new insights.”
At the Ploughshares blog, Erinrose Mager interviews Year in Reading alum Rick Moody, who talks about his classes at NYU and why he prefers “the mentorship model” of teaching writing over the workshop model. (Related: our founder C. Max Magee reviewed Moody’s book The Diviners back in 2006).
Paris Review editor Lorin Stein was interviewed for Days of Yore. Topics include: the “perverse power” of editing your parents’ work; his rise through the ranks of NYC publishing; and the new story collection, Object Lessons. Elsewhere you can check out his “five favorite short story collections.” And, in case you missed it, be sure to check out our own Bill Morris’s interview with Paris Review deputy editor Sadie Stein (no relation) about the Object Lessons collection as well.
Darryl Campbell has had enough of the clichés abundant in book reviews so he’s devised some alternatives. “If fine artists aren’t your thing,” Campbell writes, “then maybe American presidents might be a better comparison: ‘Taft-like excess,’ ‘Cleveland-esque genre-bending’ or ‘Clintonian eroticism’.”