Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
This week we have new on shelves: Julie Orringer's hotly anticipated debut novel The Invisible Bridge; Meghan Daum's memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer's Gun by our own Emily St. John Mandel.
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature's "2015 Indie Press Preview."
"For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward." The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who's Afraid of Virginia Woolf.
John Domini reviews Joseph McElroy’s Cannonball in the pages of Bookforum. In our Great Second-Half 2013 Book Preview, our own Garth Risk Hallberg wrote that, “this, his first novel in many a moon, concerns the Iraq War, among other things, and it’s hard to think of an author more suited to reimagining the subject.”
Hungarian author and 2002 Nobel Prize winner Imre Kertész announced his retirement, reports Nicolas Gary in the French publication ActuaLitté. (Link to Google's translation into English.) As a "gesture of reconciliation" the Fatelessness author and Holocaust survivor has decided to give nearly 35,000 of his papers to the Academy of Arts in Berlin. Meanwhile, Kertész has recently had several of his shorter works released in handsome Melville House editions. (h/t Hari Kunzru)