“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.
New Vessel Press is a new publisher specializing in the translation of foreign literature into the English language. Translator Ross Uffberg and journalist Michael Z. Wise started it last year. Next month, they’ll publish their first book, The Missing Year of Juan Salvatierra by Pedro Mairal, and they have plans for quite a few more as well.
A literary event with an extremely star-studded guest list will be held next month for a good cause. The World’s Most Literary Rent Party Ever will raise money for author Charles Bock’s wife, who is receiving treatment for leukemia, and will include Jonathan Franzen, Jonathan Safran Foer, Mary Gaitskill, Joshua Ferris, Rivka Galchen, Amy Hempel, Nicole Krauss, Rick Moody, Richard Price, George Saunders, and quite a few others.
“Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person.” On a new collection of Elena Ferrante’s letters, interviews and short pieces.
“I don’t start with disorder; I start with the tradition. If you’re not trained in the tradition, then deconstruction means nothing.” On Derrida, Foucault, and the deconstructionist defense of the canon.