“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.
Man’s Best Friend Is Racist
Two Gentlemen of Lebowski
Following in the footsteps of the recent Pride, Prejudice and Zombies, the Coen Brothers’ cult movie The Big Lebowski has received the Shakespeare treatment.
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“To look worse after a haircut”
Come on, admit it: you wish English speakers had a word for “one who shows up to a funeral for the food.”
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Visual Stories
If you haven’t seen Knopf art director Chip Kidd’s humorous TED Talk yet, you should really get right on that. He makes a good “visual first impression,” discusses the role of a book designer, the smell of an iPad, and does it all while wearing a “skanky mic.”
The Spivet App
Always pushing the envelope in terms of how we think about books, Reif Larsen has just announced an iPad app for his novel The Selected Works of T. S. Spivet. As the demo video suggests, this something with much more depth and interaction than just a simple port from print to digital.
“Young at Heart”
A new YA series spun off from The X-Files explores Fox Mulder’s teen years, and you can read the first chapter here. You may also be forgiven for feeling like the entire premise is a bit fraught. Not only is the mental image of Spooky Mulder with acne a tad jarring, but on a more existential level, as Zan Romanoff has written for our site, “there is no such thing as the young adult novel.”
Biological Music
“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
Tuesday New Release Day: Phillips, Tillman, Bender
Probably the biggest literary debut the week is Arthur Phillips’ The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash’s new venture Red Lemonade: Lynne Tillman’s Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender’s The Particular Sadness of Lemon Cake. (Our two reviews)
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