World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
“The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly.” Madeleine Watts writes about Eimear McBride‘s A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a “Girl Canon” for The Believer‘s blog.
It’s hard to describe exactly who Delmore Schwartz was, for the simple reason that he did so many notable things. The man wrote poetry, edited The Partisan Review and The New Republic, and wrote a canonical short story at the age of twenty-five. In The Nation, Vivian Gornick makes the case for a new accomplishment, arguing that “Delmore Schwartz is to Jewish-American writing what Richard Wright is to African-American writing.” You could also read Gabriel Brownstein on life as a Jewish writer.