World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
“The reality of being a librarian is that it’s hardly ever about sitting down and it has absolutely nothing to do with peace and quiet.” Lit Hub launched Tales of the Library, a new bimonthly column, by Kristen Arnett. From our archives: an essay about libraries and homelessness.
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.
Book Riot reports that Planned Parenthood “staged a protest of the GOP’s healthcare (or lack thereof) bill” with red-robed Handmaids. Pair with Tara Wanda Merrigan‘s review of the Hulu adaptation of Margaret Atwood‘s classic: “While transforming Offred into a stereotypically empowered representation of a woman may make the show more appealing to some viewers, I found it disheartening.”