World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
Lost in a Book
Interview with Gary Shteyngart
The Rumpus posts an amusing interview with Super Sad True Love Story author Gary Shteyngart: “You have a twenty-five-inch TV and eight million books. What are you, an idiot?”
DFW’s Nonfiction
Leveling the kind of accusation that perhaps only such an esteemed writer can, Jonathan Franzen intimates that David Foster Wallace‘s nonfiction (such as “Shipping Out“) wasn’t exactly honest.
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Lauren Groff and the Artist’s Response to Climate Change
To combat feelings of hopelessness, Lauren Groff partnered with Greenpeace on a new campaign to get artists to respond creatively to climate change.
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Lights Out
Want to turn on your creativity? Turn off the lights. A new study shows that dim lighting “elicits a feeling of freedom, self-determination, and reduced inhibition,” which sounds like a great cure for writer’s block if there ever was one.
“The muscle that helps you ignore people with bad advice”
“The greatest mistake the American writer ever made was asking everybody else what they thought of their writing. Look around your current writing workshop. Look right and left. Most of those people will stop writing. Because it’s too hard, they have no ideas, no one understands them, whatever. A few of those failed people will become editors. These are the only people in the room who should ever really matter to you.”
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“O Warbling Beauty!”
“It can be difficult to talk about Uzbek without soaring into Orientalist flights. ‘O warbling beauty of the steppe!’ I started to write, like a 19th-century lady traveler.” Our own Lydia Kiesling is in the New York Times writing about studying Uzbek and speaking Turkish.
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