World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
"Language on a daily basis is being recycled. Our students are learning the language of the old and new masters; they are taking them in, mixing their words with the language they know, creating something new. Yet something there remains. Something familiar. Something like a forgotten first kiss. Like a well-known song sung in a different language." Ira Sukrungruang on "Thirteen Ways of Looking at Deep Reading and Mimicry, With an Ending that Totally Plagiarizes Wallace Stevens." After all, who doesn't want to plagiarize Wallace Stevens?
"It was only in 1987, when she went to National Taiwan University, that the censorship laws were relaxed. Yet the censorship laws seemed to have an opposing effect on her literary ambitions. " Meet Qiu Miaojin, the first woman in Chinese literature to come out as openly gay. Ankita Chakraborty at Longreads has more on this remarkable writer.