“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.
Into the Abyss
Black Independent Bookstores Are Increasing
Here's something to cheer us up (aside from the good weather this weekend). Publisher's Weekly interviews a few Black bookstore owners on how Black indie bookstores have bounced back from a steep decline several years ago. If a bookstore in your city is mentioned, be sure and visit.
For What It’s Worth
Oh, good! Here is a list of what everyone is reading instead of your 10-year peer-reviewed study on bee colony collapse and the near end of human existence.
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The Queen Died of Grief
Must female characters always stand in the shadow of the institution of marriage? Ivan Kreilkamp writes on female bachelors, from Renata Adler’s Speedboat to Elizabeth Hardwick’s Sleepless Nights. Pair with this Millions essay on Adler’s piecemeal novel.
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Our Ramshackle Universe
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.
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Old Favorites
Looking for more thoughts on My Life in Middlemarch to supplement today's interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a "moving demonstration" of Middlemarch's power. (You could also read Adelle Waldman's Year in Reading piece about the novel.)
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Un Bon Dia
To begin to translate a book, you need to hone your knowledge of the language in which it’s written. To write a great essay about translating a book, you need a backstory, an interesting format and two or three foreign parables. At The Rumpus, Brian Oliu writes about translating his grandfather’s book from the Catalan.
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