“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.
Into the Abyss
The Dungeon Master
Sam Lipsyte’s short story on role-playing games, “The Dungeon Master,” is up at the New Yorker: “The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.”
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Tuesday New Release Day: Eggers, Dubus, Freeman, Boyd, Zoller-Seitz
New this week: The Circle by Dave Eggers; Dirty Love by Andre Dubus III; How to Read a Novelist by former Granta editor John Freeman; Solo, a new James Bond novel by William Boyd; and “the first in-depth overview of Wes Anderson’s filmography” by the New York Magazine TV critic Matt Zoller-Seitz.
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Nothing Is Tolerable
“It’s corrosive going down, you wonder if he had to add quite so much vinegar and horseradish, but afterward the effect is invigorating.” Aaron Thier at The Nation reviews Rafael Chirbes’ newest novel, On The Edge. The book admittedly gives no pleasure, yet is nonetheless worth reading as it operates like more of a “psychological health tonic,” instead.
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The Klingon Word for Spoon is “baghneQ”
Lapham’s Quarterly has a new podcast about “the weird world of invented languages” such as Klingon, Dothraki, and Esperanto.
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The Wrath of the Translator
The English Illiad, compared: a look at the translations of Robert Fagles, Anthony Verity, Stephen Mitchell, and more.