“It can not be that I monopolize / The making of the songs that give you praise / Or that such pools as are your dearest eyes / Have just one bather through the unclear days. / Then, let me take my place amid the pack, / If I so pack my songs with your rare worth / There were no quality they then should lack / But they were bettered by that happy death.” A previously unpublished Ezra Pound sonnet selling at auction is always newsworthy–especially when it fetches nearly $12,000. Here is a related Millions piece about the difficult poetry of Ezra Pound, John Berryman, and Ted Berrigan.
In a Room of the Auction House
Williams on Writing
In an interview with Vice, Joy Williams explains that writing gives her “no happiness”. Pair with an interview with our own Hannah Gersen, who “would have stopped [writing] a long time ago” if she didn’t love it. You could also read Nick Ripatrazone’s recent article on fifty reasons to read Williams.
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Our True-Crime Obsession
In a conversation with Jonny Auping for Longreads, Rachel Monroe discusses our cultural obsession with violent crimes.
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Shatzkin on Digital Revolution
“The book business is a cork floating on a digital device stream,” writes Mike Shatzkin. Is publishing living “in a world not of its own making?”
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“Qualities other than introspection”
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The Equity Series Live
Year in Reading alum Vinson Cunningham will be in conversation with Darren Walker and Crystal Williams at MoMA next Friday, March 11 as a part of the Equity Series. Watch it on live-stream at 6:30 p.m. EST.
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The Hunted
Veterans of writing workshops will know that a good story has a heavy dose of conflict. One can add it to a story in many ways, but one of the best and most reliable is to add a predator, either in the form of a threatening organisation or an animal or person with malicious intent. At the Ploughshares blog, Year in Reading alum Megan Mayhew Bergman reflects on predatory literature.
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