Beat poet Allen Ginsberg once threw out a surprisingly decent first pitch at a San Francisco Giants game while wearing a pocket protector. Seriously. Here’s our own Bill Morris with a little more on Ginsberg, Beats, and film.
Holy the First Pitch!
Borders Officially Closes
The sale of Borders was officially approved yesterday. To make sense of the entire fiasco, Melville House's Dennis Johnson has a compelling write-up. For most book lovers, their final sale is bittersweet.
Kino
Haruki Murakami, our favorite advice columnist, has a new piece of short fiction in the New Yorker.
Revisiting Recent History
“I should probably write a few words about 2015, but the year is stale now, rung out like a damp dish rag and left to dry in the cold, dour winds of some rundown burg blasted off the map by poverty and overcast. 2015 has been recorded, logged, and filed away as History, and as an American, I abide by my country’s allergy to revisiting History.” Catapult’s Mensah Demary on the tradition of New Year’s resolutions.
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IAmA Famous Book Critic
Pulitzer-prize winning book critic Michael Dirda joined Reddit and invited the internet to ask him anything; among the highlights—the worst book he's ever read, an allusion to scoring crack for Hunter S. Thompson, and a picture of Dirda's cat.
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The War on Baby Girls
We're headed toward a future with a "biologically unnatural excess of males," writes Nicholas Eberstadt. Indeed, "It's a girl" can be recognized among "the three deadliest words in the world."
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A Side of Poetry
Fifty years ago, Frank O’Hara released Lunch Poems, a collection of remarkably informal poetry that rebuked the more academic verse of his day. As a tribute, Dwight Garner writes about the importance of the book in the Times, arguing that O’Hara's grasp of the zeitgeist is the reason he appeared on Mad Men. For more on the poet's legacy, take a look at Christopher Richards on O’Hara’s lessons for being gay.
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Not for Kids
What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”