Recommended Reading: Year in Reading alumna Elissa Schappell interviews Elena Ferrante about feminism, friendship, and her latest Neapolitan novel. Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
Goodbye to Naples
Tuesday New Release Day: Toibin, Oswalt, Rachman
Colm Tóibín’s new collection The Empty Family is out today, as is comedian Patton Oswalt’s Zombie Spaceship Wasteland. New in paperback: 2010 fave The Imperfectionists. Many more new books to look forward to, of course, in our massive preview published this week.
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Tuesday New Release Day: Yu, French, Stein, Smith
Charles Yu’s new collection of stories, Sorry Please Thank You, is out today, and so is Tana French’s novel Broken Harbor. Both were on our Great Second Half of 2012 Books Preview. Leigh Stein’s new book of poems, Dispatch from the Future is also in stores today, alongside Ali Smith’s There But For The in paperback.
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World Book Night’s Book Giveaway
World Book Night is scheduled for this Tuesday, and 25,000 volunteers will gather to distribute free books to “light and non-readers across America.” Last year, our own Edan Lepucki participated in the event and wrote about it for our site. However this year, if you’d like to participate on your own, you can enter the organization’s book giveaway to receive “5 free WBN editions to share with others.” Get out there and spread some literary love.
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John Green vs. Louise Erdrich
“Let me be frank,” writes our own Edan Lepucki for the opening round of this year’s Tournament of Books. “I went into this matchup excited to read The Round House, whereas I approached The Fault in Our Stars with curiosity and trepidation.” But did she wind up pleasantly surprised? Check out the rest of her write-up to see which tearjerker moved on to the next round. (Bonus: Janet Potter on John Green’s heartbreaking novel.)
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Different Times
Last week, I wrote about Josh Weil and Mike Harvkey’s joint book tour, which sees the two driving a Prius across America to promote their latest novels. Now, in their latest dispatch, they reflect on the differences between writers like themselves and midcentury writers like Andre Dubus and Norman Mailer.
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