Recommended Reading: Michelle Dean writes for The New Republic about the image of the tortured, alcoholic writer — and the “different kind of weight attached to a woman drinker.”
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
“But the truth is that even very small actions can ripple outwards and have huge and far-reaching effects. In other words, the fires you start can be little, but don’t think they don’t matter, or that they won’t spread.” The Los Angeles Review of Books interviewed Celeste Ng about writing about women, transracial adoption, and her novel, Little Fires Everywhere (featured in multiple Year in Reading entries).
Peter Ackroyd, a man who T Magazine writer Jody Rosen calls “[an] insanely prolific, controversial and eccentric novelist and historian,” has published, at last count, nearly 6,500 pages of text. That incredible figure equates to more than fifty books, many of them with titles like Dickens: Public Life and Private Passions. (At present, he’s working on a biography of Alfred Hitchcock.)