“By casting my book as personal rather than professional—by marketing me as a woman on a journey of self-discovery, rather than a reporter on a groundbreaking assignment—I was effectively being stripped of my expertise on the subject I knew best.” Suki Kim on writing a work of investigative journalism that was miscategorized as memoir. Pair with this Millions piece in defense of memoirs.
Vol. 1 Brooklyn‘s Tobias Carroll presents a roundup of the best new literature blurring the lines between writing and the visual arts, including works that made cameos in Paul Auster‘s Leviathan and Valeria Luiselli’s The Story of My Teeth. We reviewed the latter novel a year ago here.
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.