Elena Ferrante uses a pseudonym. We may not know her given name, but we do know her home city – Naples. Read about realism in her work from Irene Caselli, who also calls Naples home. Want to know more about Ferrante? She does interviews.
Ciao, Napoli
Infinite Jest Inspires Infinite Tributes
First Poor Yorick Entertainment emerged as a “visual exploration of the filmography of James O. Incandenza and the world of David Foster Wallace‘s Infinite Jest.” Then, as The New York Times reports, “Parks and Recreation” co-creator Michael Schur paired up with The Decembrists to direct a music video inspired by the book. (You can watch the video on YouTube.) Now, thanks to this Radiolab podcast (and an alley-oop from @nateharris), another one of the novel’s scenes is brought to life.
The Teacher
Although Jon Fosse is not well known in America, his work is revered in his native Norway, where he stands on a par with his onetime student and American celebrity, Karl Ove Knausgaard. In a piece for The Paris Review Daily, Damion Searls argues for Fosse’s relevance, claiming that Fosse is the only writer whose work made him weep as he translated it. You could also read Jonathan Callahan on Knausgaard’s My Struggle.
Opiate of the Masses
Regardless of your beliefs, these videos explaining the major theories of religion are a good bet to tickle your fancy. They’re also apropos in light of Pope Benedict’s new book deal.
Moneyball Movie Back on Track
The embattled film version of Michael Lewis’ baseball bestseller Moneyball, once set to be directed by Steven Soderbergh, is now back on track with Bennett Miller, director of Capote, set to helm. Brad Pitt is still lined up to play Oakland A’s G.M. Billy Beane.
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Books on Slate
This Friday Slate will premiere its first monthly book review feature. On the first weekend of every month, the Slate Book Review will take over the site’s main page. Senior culture editor Dan Kois told the New York Times that he was displeased to watch newspaper after newspaper scrapping their book sections; “it didn’t seem to me that there was less of an appetite for good writing about books.”
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