Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
Want to catch up on John Updike in a single summer?Dick Cavett reminisces about the time Updike and John Cheever appeared on his talk show… together.Clancy Martin on his failed attempt to become the world’s largest maker of Fauxbergé eggs and how he evaded the Russian police.Ward Sutton literalizes the idea of the cartoonish critique at the Barnes & Noble Review. First up: T.C. Boyle’s The Women.Street artists smell a conspiracy around the recent arrest of “Hope”-monger Shepard Fairey, the artist formerly known as Giant.On the 30th anniversary of the Islamic revolution in Iran, our friend Porochista Khakpour looks back.WNYC presents streaming audio (mp3 link) of Zadie Smith’s NYPL talk on then-President-elect Obama.Fresh Air’s Maureen Corrigan raves about Yu Hua’s Brothers.More heads roll in the publishing industry.How close did we come to economic apocalypse?Glamorous publishing people: “No, there is no glamour left in publishing.”Food for your ears: “The Dinner Party Download is a fast and funny ‘booster shot’ of unconventional news, cuisine and culture to help you win this weekend’s dinner party.” Sarah Shun-lien Bynum was a recent guest.Amid stimulus package largess, arts getting left out in the cold.Epilogue, a new mag that marries short writings, art, and music.File under: links you probably don’t need to click on
Recommended Reading: A fascinating interview from The Rumpus with Susan Shapiro. Shapiro’s newest novel, What’s Never Said, is out now from Heliotrope Books. You may also be interested in Beth Kephart‘s essay for The Millions about the utility of the outward-looking memoir and its crossover with other genres.
Serious reading is harder than ever. With so many distractions around, it’s incredibly difficult for a novel to keep our attention. In The Nation, Joanna Scott makes a case that careful reading is in danger, and builds a case for preserving difficult fiction. You could also read our own Nick Ripatrazone on trying to teach Thomas Pynchon.