Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
Add this to the roster of great literary takedowns. Apparently Evelyn Waugh once wrote the following about Proust: “Nobody told me he was a mental defective. He had no sense of time.” (This stands in stark contrast with the views of Aleksandar Hemon, who wrote in a recent Year in Reading piece that Swann's Way is “one of those miraculous books that gets better with every re-reading.”)
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful -- she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung's essay on literary endings.)
When Terry Gilliam adapted Hunter S. Thompson’s Fear and Loathing in Las Vegas, Johnny Depp portrayed protagonist Raoul Duke. It became one of his most iconic roles. Now, thirteen years later, Depp will play protagonist Paul Kemp in Bruce Robinson’s adaptation of The Rum Diary. You can check out the trailer here.
For a boy wizard whose saga ended six years ago, Harry Potter is in the news a lot lately. The Chosen One got a makeover by Jim Kay, and now J.K. Rowling is working on a stage play based on Potter. Don't expect a stage set of Hogwarts because the play will focus on Harry's early years at 4 Privet Drive.