A white male poet recently revealed his controversial strategy of using an Asian pseudonym to place his poems, which were eventually selected for inclusion in the Best American Poetry anthology for 2015. Brian Spears writes for The Rumpus about the complications of diversity in publishing, Affirmative Action, and the ethics of poetry submission systems.
“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.
In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)