Has Edward St. Aubyn killed the existentialist novel? Jacob Kiernan at Full Stop Magazine has a few ideas about it. If it’s existential quandary you’re after, this essay for The Millions on the beautiful afterlife of books–which may not be so much of an afterlife, after all–will be perfect for you.
In 1946, George Orwell wrote that political prose was formed “to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”
Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Out this week: Avenue of Mysteries by John Irving; Twain & Stanley Enter Paradise by Oscar Hijuelos; Numero Zero by Umberto Eco; The Improbability of Love by Hannah Rothschild; Wherever There Is Light by Peter Golden; City of Clowns by Daniel Alarcón; and The Mare by Mary Gaitskill (who we interviewed today). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.